Moscow – More than ballet and rockets

I can’t afford to have this become a thing but I had dinner at another of the World’s 50 Best Restaurants, this one coming in at #18 – White Rabbit in Moscow. I blame Netflix.

White Rabbit is highlighted on an episode of Chef’s Table, a popular series that covers a different restaurant each show. The premise of this restaurant is that Chef Vladimir – inspired by a 17th century cookbook – modernizes traditional Russian food to reconnect people with their culinary roots. 

In one scene the chef’s staff, or maybe family, milks a mystery animal that the camera pans out to reveal a moose. In another, Chef Vladimir himself bottle feeds a mooselet that jumps around him playfully. So when he gets to a recipe in his ancient cookbook that calls for moose lips, his voiceover expressed shock. Cut to the next scene where Vlad cheerfully impales a plate of mouse snouts from his sous chef and breaks them down in gruesome detail while I watch, cringing on my couch. What would you do if someone served you moose lips? My answer apparently is eat them stuffed in a baked black dumpling with a morel mushroom sauce.

The staff at White Rabbit was confused that I was eating alone. The hostess tried to make sense of the situation: Was I waiting for someone? Maybe your friends are here? They are coming later, perhaps? Forcing me to simplify my explanation each time from, I’m visiting Moscow alone to, no, just me alone, to, no, no friends, alone alone alone. 

Seated at a four-top, it took a similar round to convince the server to take to my order instead of waiting for the rest of the party, and another for me to order the tasting menu as, waiter pointing regretfully to the empty chairs, everyone at the table must order it. I explained that technically everyone at the table was ordering it since I WAS EATING ALONE. He conceded graciously.

The room itself is on the 16th floor and looks out through a Wonderland-esque semi-circle window like half a clock, three stories high. It was raining snow which gave the feeling of dining in a cloud. The looming Stalinist skyscraper, one of the Seven Sisters housing the Ministry of Foreign Affairs, made it feel a tiny bit sinister.

The tasting menu started with a large bottle of firewater. I was nervous I’d be asked to down it but instead the waiter produced an eye dropper and dripped it onto my palms. He told me to rub my hands together until they ignited, then to take in the odor… of baking bread. It was a test of what the liquor could be used for. Or was used for. I wasn’t completely clear on the concept.

Each course, and there were 15, came with specific details like that on the key ingredient’s historical significance or the traditional cooking method – although at such a rate that I couldn’t always catch the gist. My poached pear and caviar came with a honey mead liqueur that had to do with babies being buried in the backyard till they were 17. I don’t think I fully understood.

It was followed by a chestnut honey meringue with pieces of duck liver terrine over top. Delicate, umami finger food. Each dish followed the pattern of careful placement, story and instructions on how to eat it.

The parade of dishes over the next two hours came rapid fire, one landing soon after I’d taken the last preceding bite:

  • Gouda cheese mousse: airy
  • Swan livers with toasted marshmallow: melt in your mouth
  • Birch bread and herring milt with carved birch knife: result of olden time bad quality flour mixed with tree (?) to improve it
  • Sour shchi (cabbage, cucumber and gel) with king crab on a cracker: my first sighting of the single Russian letter “shch” pronounced like “freSH CHeese”
  • Sea urchin and white chocolate mousse in a baked onion skin: I’m losing track of the different tastes now
  • Crab, carrots and egg yolk in Wednesday salt (“Do you know this?” he says. “I’ve heard of Tuesday salt,” I say, thinking back to the Chef’s Table episode. “Oh yes, that’s right,” he says, inwardly cursing Netflix for showing him up)
  • Moose lips and tongue dumplings in a morel mushroom sauce: yes, I did it. Gamey.
  • Cod, sour malt and sour spelt: I can’t eat any more
  • Medlar fruit sorbet: now mushing my food around to make it look like I’m eating
  • Beef ribs cooked in kvass: cutting it up into small pieces to hide it under the green vegetable hair and onion spaghetti so it looks like I’m still eating it, while fake-sipping a full glass of kvass as I admitted I didn’t know what it was
  • Black bread, boiled milk and garlic sea water: dessert, this is almost done, still with me? 
  • Willow herb and honey, with tea: delicious

And finally, five ceramic noses presented on a wooden box. Yes, that’s right. Ceramic holds scent like human skin, I’m told. The waiter held up each ceramic nose to my nose, Groucho Marx-style, and I took a whiff: gingerbread, black bread, marijuana, something and something. Then he doused my wrist with a little spray bottle of perfume I got to keep as a gift.

I don’t believe the White Rabbit name is inspired by Alice in Wonderland, but it isn’t a bad comparison. It was surreal but still enjoyable: the waiter friendly, the food inventive, and the overall experience a little quirky. On Chef’s Table, the chef’s business partner says they want people to know Russia isn’t just ballet and rockets. It isn’t. But more importantly, it isn’t just dumplings and cabbage.

2 thoughts on “Moscow – More than ballet and rockets

  1. Niina

    Interesting spin on the birch bread improving the quality of flour. In Finland, pine bark was used as substitute for flour during periods of famine and poverty to make bread. I hear it’s not exactly a delicacy… Then again, birch was too valuable to my ancestors to be eaten. It made great shoes and bags. 🙂

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